论文标题
没有艺术家可以有艺术吗？
Can There be Art Without an Artist?
论文作者
论文摘要
在过去的一年中，基于生成的AI的艺术已经激增，从产生假人的面孔到可以从文本提示中产生数千个艺术图像的系统越来越令人印象深刻的用例 - 其中一些图像甚至“好”足以赢得合格法官的荣誉。在本文中，我们探讨了生成模型如何影响艺术性，这不仅是从定性的角度影响的，而且还从对艺术家的剥削角度（通过窃的角度），通过窃，在未经许可的情况下对艺术品进行了培训，并通过盈利转移，在艺术品市场中的利润从艺术创造者转移到了艺术创造者向模型所有者转移。但是，我们认为，如果负责任地部署，AI生成模型的可能性可能是一种积极的艺术方式，不会取代或损害现有艺术家。
Generative AI based art has proliferated in the past year, with increasingly impressive use cases from generating fake human faces to the creation of systems that can generate thousands of artistic images from text prompts - some of these images have even been "good" enough to win accolades from qualified judges. In this paper, we explore how Generative Models have impacted artistry, not only from a qualitative point of view, but also from an angle of exploitation of artists -- both via plagiarism, where models are trained on their artwork without permission, and via profit shifting, where profits in the art market have shifted from art creators to model owners. However, we posit that if deployed responsibly, AI generative models have the possibility of being a positive, new modality in art that does not displace or harm existing artists.
